![]() ![]() ![]() ![]() ![]() He has lived in Los Angeles, San Francisco, and most recently Tokyo, and his style, while not necessarily globetrotting, certainly has an all-encompassing feel to its influences, which suits Aaron's telling moniker, Metaform. " The "one man" in this equation is Justice Aaron, whose own personal history seems to point to the diverse sensibility required to create such a pastiche of sounds. As wikipedia editorializes it, "e spent five years in deep isolation from friends and family while recordind the intrumental opus. Metaform, like most sprawling, sample-centric instrumental hip hop albums is the product of one man with a deep sense of hip hop's musical family tree who is willing to spend countless hours in his studio working out the minute details of each track. Possibly the best of the new music I've discovered is Metaform's Standing on the Shoulders of Giants, a 19-track, 45-minute journey through eclectic blends of soul, jazz, r&b, trip hop, hip hop, and electronica. Ayatollah's Louder, Blue Sky Black Death's Late Night Cinema, and Flying Lotus' Los Angeles have kept me happy. The result was a treasure trove of instrumental hip hop and trip hop. About three months ago, having been disappointed with the highly regarded hip hop releases of the year (Why?, The Roots, Lil Wayne) as well as some new releases by old favorites (Immortal Technique, Del Tha Funkee Homosapien) I decided to go on an epic quest for good, new hip hop. Metaform - Standing on the Shoulders of Giantsįor me, 2008 has been a year of dipping my quill deep into instrumental hip hop ink. Review Summary: The SECOND best instrumental hip hop / trip hop album of 2008. ![]()
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